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Friday, 6 September 2013

Pics Of Funny Faces Cartoon Images Wallpapers Pictures

Pics Of Funny Faces Biography

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Lane and Marriott met in 1965 while Marriott was working at the J60 Music Bar in Manor Park, London.[10] Lane came in with his father Stan to buy a bass guitar, struck up a conversation with Marriott, bought the bass and went back to Marriott's house after work to listen to records.[10] They recruited friends Kenney Jones and Jimmy Winston (born James Edward Winston Langwith, 20 April 1945, in Stratford, east London), who switched from guitar to the organ.[10] They rapidly progressed from rehearsals at The Ruskin Arms public house (which was owned by Winston's parents) in Manor Park, London, to ramshackle pub gigs, to semi-professional club dates. The group chose the name, Small Faces, for many reasons: because of the members' small stature[10] and "A 'Face' was somebody special, more than just a snappy dresser, he was Mister Cool."[11]

The band's early song set included R&B/soul classics such as "Jump Back", James Brown's "Please Please Please", Smokey Robinson's "You've Really Got a Hold on Me" and Ben E. King's "Stand by Me".[10] The band also performed two Marriott/Lane original compositions, a fast and loud "Come on Children" and the "speed enhanced" song "E too D", in which Marriott would display his considerable vocal abilities in the style of his heroes and role models, Otis Redding and Bobby Bland. "E too D", which appears on their first album, Small Faces, is named after the guitar chord structure. On US compilation albums the track is titled "Running Wild".[10] Marriott's unique and powerful voice attracted rising attention. Singer Elkie Brooks was struck by Marriott's vocal prowess and stage presence, and recommended them to a local club owner, Maurice King. Impressed, King began finding them work in London and beyond.[10][12] Their first out-of-town concert was at a working men's club in Sheffield.[12] Since the crowd was mainly made up of Teddy boys and hard-drinking workers, the band were paid off after three songs.[12] Despondent, they literally walked into the mod-oriented King Mojo Club nearby (then owned by a young Peter Stringfellow) and offered to perform for free.[13] They played a set that left the local mods wanting more and started a strong buzz. During a crucial residency at Leicester Square's Cavern Club, they were strongly supported by Sonny & Cher, who were living in London at the time.
The band signed a management contract with management impresario Don Arden, and they were in turn signed to Decca Records for recording.[1] They released a string of high-energy mod/soul singles on the label. Their debut single was in 1965 with "Whatcha Gonna Do About It", a Top 14 UK singles chart hit.[1] Marriott and Lane are credited with creating the instrumental to the song, "borrowing" the guitar riff from the Solomon Burke record "Everybody Needs Somebody to Love".[1] The lyrics were written by the Drifters band member Ian Samwell (who wrote arguably the first British true rock'n'roll record, "Move It").[1][15]

The group failed to capitalise on the success of their first single with the follow-up which was written by Marriott/Lane, the hard-edged mod number "I've Got Mine".[1][14] The band appeared as themselves in a 1965 crime film titled Dateline Diamonds starring Kenneth Cope as the band's manager and it featured the band playing their second single release.[16][17][18] Arden thought the band's song would receive publicity by the film; however, the film's UK release was delayed, and "I've Got Mine" subsequently failed to chart despite receiving good reviews.

Shortly thereafter, Jimmy Winston was released from the band because of a clash of personalities with the rest of the group and a lack of musical talent.[19][20] In a 2000 interview, Kenney Jones stated the reason Winston was fired from the band was because "He (Winston) got above his station and tried to compete with Steve Marriott." [21] Winston was replaced by Ian McLagan, whose keyboard talents and diminutive stature fit with the groove of the band perfectly.[1][19]

The new Small Faces line-up hit the charts with their third single, "Sha-La-La-La-Lee", released on 28 January 1966.[1] It was written for the group by Mort Shuman (who wrote many of Elvis Presley's biggest singles, including "Viva Las Vegas") and popular English entertainer and singer Kenny Lynch. The song was a big hit in Britain, peaking at number three in the UK singles chart.[1] Their first album, Small Faces, released on 11 May 1966, was also a considerable success.[14][22] They rapidly rose in popularity with each chart success, becoming regulars on British pop TV shows such as Ready Steady Go! and Top of the Pops, and toured incessantly in the UK and Europe. Their popularity peaked in August 1966, when "All or Nothing", their fifth single, hit the top of the UK charts.[14] According to Marriott's mother Kay, he is said to have written the song about his breakup with his ex-fiancée Susan Oliver (That single was released in the US on the RCA Victor label) but was not pushed by them. On the success of "All or Nothing" they were set to tour America with the Lovin' Spoonful and the Mamas & the Papas; however, these plans had to be shelved by Don Arden after details of Ian McLagan's recent drug conviction were leaked.[23]

By 1966, despite being one of the highest-grossing live acts in the country and scoring many successful singles, including four UK Top 10 chart hits, financially the band had nothing to show for their efforts. After a messy confrontation with the notorious Arden who tried to face down the boys' parents by claiming that the whole band were using drugs, and that the band's sixth single "My Mind's Eye" was essentially a demo and was issued without the band's consent, they broke with both Arden and Decca